buying etegami materials online

So many of you have asked for advice on where the tools and paper for etegami can be purchased. Several of you have suggested promising websites. But so far, the only cardstock I've found that is produced specifically for etegami, and that can be ordered online from the US, is on the JetPens website. Thanks, Cole for being the first to direct me to this page! Etegami cardstock is usually labeled gasenshi, wagasenshi, or hongasenshi. Packages of these cards usually come with some sort of indicator of nijimi quality (which allows ink to bleed/spread sideways).

I prefer cardstock with the highest level of nijimi. The cards shown on the JetPens website have a scale of nijimi printed on the package. The placement of the circle in the row of boxes indicates the nijimi level, and the further left that circle is, the greater the nijimi. The attached photo (top) shows the set of cards that has the highest nijimi level on the JetPens page. This would be my choice. However, cards with high nijimi can be difficult for beginners to handle, so you may want to order cards of varying nijimi levels and test them till you find the one you're most comfortable with.

The JetPens website also offers a set of gansai paints (middle photo). They call it "Akashiya watercolor paints," but the box itself says Gansai on it in Japanese characters, so I feel safe in recommending it as the same type of paints I use. I was unable to find the kind of brush pens or sumi ink I use on this site. They do have some kind of brush pens, but they seem different from the ones we use for etegami.

I've ordered several etegami sets from Amazon JP, just to test them, and I like one well enough to recommend to you, but Amazon JP will not ship the item (see bottom photo) to overseas addresses. It comes with everything you need to start etegami, including a brush pen for outlines, a different kind of brush pen for coloring, an ink stick for making sumi ink, and a booklet introducing the art of etegami (in Japanese, with lots of pictures). The only complaint I have about this set is that the sample postcards included with it do not have much nijimi.

I emailed Kuretake (JP), the company that makes this etegami set, asking for leads to online shops. They kindly responded almost immediately, but could only give me the names and numbers of one US-based art supply store and one UK-based art supply store which carry Kuretake products. If you live within the telephone area code of the following businesses, it may be worth your while to call them. You can also contact them by email. Apparently, Kuretake (JP) has already informed them of my search, so they should be prepared to help you.

Company name: KURETAKE (U.K.) LTD.

Tel: +44-1527-523-799

Contact: Ms. Samantha Deykin

E-mail: samantha@kuretake.co.uk

Company name: FLAX art & design

Tel: +1-415-552-2355

Contact: Mr. Philip Flax

E-mail: pflax@flaxart.com

illustration friday (double)

I love drawing persimmons at any stage: Seeds, flowers, unripe fruit, ripe fruit, over-ripe fruit, sliced, quartered, dried and wrinkled, on the branch, on the ground, tied to drying ropes and hanging from the eaves, piled in a bowl, bug-eaten... and so on. For this week's IF topic, I present you with an etegami of two nearly identical persimmons that ripened on the branch late last fall/early winter as I watched and marveled. The words say: In the Fullness of Time.

hydrangea etegami garden

Remember the etegami tulip mini-exhibit I posted in May? I promised you a hydrangea etegami exhibit in mid-summer, and here it is. Hydrangea are generally considered much harder to draw than tulips. Even so, I was able to persuade a few new people to contribute, so we have a nice diversity of style and materials for this exhibit. Maybe they will motivate more of you to contribute to the next one. How about mid-autumn, on the topic of Cosmos flowers? I'll get back to you about this as the time approaches.

Contributing artists (from the top grouping, starting at top left corner and moving clockwise):
1. Ogawa Yoko, dosankodebbie, dosankodebbie, Nakagawa Ryoko
2. Nakagawa Ryoko, Shimizu Michiko, dosankodebbie (haiku contributed for this exhibit by Aki Gibbons), Kushida Yukio
3. dosankodebbie, (haiku contributed for this exhibit by Aki Gibbons) Shimizu Michiko, dosankodebbie
4. Linda Austin, dosankodebbie, Shimizu Michiko
5. Nakamura Takako

tamano "sea-themed etegami" call (part 2)

Remember my post about the Sea-themed etegami call taking place this summer in the city of Tamano, Okayama? This etegami depicting a hatchling turtle is the one I decided to send. It's actually one I intended for the Ripple series but never got around to finishing. So I added Japanese words that basically mean "Please don't pollute our ocean," signed my name and prefecture at the bottom (as per instructions), and sent it off today. I think the Tamano etegami call is supposed to be a Feel-Good kind of event, so my contribution may not quite fit. But at least I remembered to send something at all. : )

illustration friday (breakfast)

Last week a good friend of mine brought me a whole bunch of free-range, organic eggs and summer vegetables from her garden. I was trying to come up with a good theme for a thank-you card, when this week's IF topic was announced. What I decided to draw was a traditional Japanese breakfast. A porcelain bowl of steaming rice with a raw egg on top and a ceramic dish of pickles (mini-eggplants, daikon radish slices, and radish greens). I'm sending this off to my friend today. The accompanying words say "a Japanese breakfast."

illustration friday (diary)

This week's IF topic brings to mind the series of etegami that I did to record the growth of my strawberry plant last year.

1: The day the strawberry seedling arrived at my house.
2: The day temperatures plummeted and I thought I had lost my plant to frostbite.
3: The day my plant revived and began to grow vigorously.
4. The day I noticed the first sign of fruit.
5: The day I harvested the first ripe strawberry.
6: The day I used the first strawberry as a filling for Ichigo Daiguku, a delicious, traditional Japanese confection.

The original post is here: My Strawberry Diary.

they draw and cook

If you have been visiting this blog for a while, you probably know how much I love to cook. I used to teach cooking to Japanese children from K to Grade 3, and thoroughly enjoyed illustrating my recipes for them.

A couple of months ago, I learned of this really cool website: They Draw & Cook that was posting "recipe renderings by artists, illustrators & designers," and I was raring to participate. But being somewhat technologically challenged, it took me a while to figure out how to follow the submission instructions.

I never did get the dimensions exactly right, but I guess I was close enough, and my illustrated recipe for Crunchy Ramen Salad Cones was posted several days ago. If you have time, take a look at some of the other submissions. They are absolutely awesome.

etegami crosses borders (france)

I have been exchanging mailart with Yun from France for some time now, and am impressed by how diligently she is trying to grasp the concept of traditional etegami and include it in her already rich repertoire of artistic expression. When I challenged her to draw etegami on a subject that was representative of her country, she chose the lavender of her home region of PACA (Provence, Alpes, Côte d'Azur), and particularly of Nice. She writes: "When I first visited Nice, the lavender attracted me so much. The delicate perfumed flowers that stay almost the same a year after. The souvenir boutiques sell them in small sachets, made of a typically colorful Provencal fabric."

She drew several versions of lavender etegami, including a gorgeously detailed one of a lavender sachet made of Provencal fabric. But I chose to post this simple drawing of a bouquet of dried lavender, because the irregularity of the lines and the hazy colors that spill out from the outline of the flowers seemed the most etegami-like. Yun says she drew the outline with a bamboo stick-- probably shaving it into a quill shape as I described in my post Let's Talk Quill Pens. The flower-shaped name seal is, of course, something she made herself. I have never been to the south of France, but I have no doubt that this beautiful etegami portrays some of the colors and fragrance I would encounter if I were ever lucky enough to go there.

beetles and summer memories

If you grow up in Japan, and especially if you are a boy (which I am not, but I have raised one, so I know), summer vacation means beetle-catching time. Though I am not fond of creepy crawlies, for some inexplicable reason, beetles are okay with me.

I think it's safe to say that the most popular beetles among children here are the kabutomushi (rhinoceros beetle) and the kuwagata (stag beetle). We have been known, however, to spend our summers trying to capture semi (cicadas), or raising suzumushi (bell crickets) from eggs for a science experiment. Unlike the normally silent rhino beetles and stag beetles, cicadas and bell crickets hum, sing, buzz, and ring like silver bells. These sounds, along with the chants of the traveling wind-chime vendor or the pet goldfish vendor, will instantly awaken long-dormant childhood memories of summer.

The etegami at the top depicts a Hercules Beetle, which is supposed to be the largest of the rhinoceros beetles. I drew it while I was experimenting with this week's Illustration Friday topic: Giant. My official IF submission ended up being the giant toad in my previous post. But I'm rather fond of this rhino beetle etegami, and I decided to use it for our 2010 summer greeting card. The accompanying words are the standard ones we use for this customary exchange: Shochuu mimai o moushi-agemasu (solicitations in the middle of summer's heat).

The second etegami depicts a stag beetle. The accompanying words are a short quote from a delightful AA Milne (of Winnie the Pooh fame) poem that I ran across the other day. I just can't resist posting the entire poem here. (I just can't!) I hope you enjoy it as much as I do.

Forgiven

I found a little beetle, so that beetle was his name,
And I called him Alexander and he answered just the same.
I put him in a matchbox, and I kept him all the day...

And Nanny let my beetle out
Yes, Nanny let my beetle out
She went and let my beetle out-
And beetle ran away.

She said she didn't mean it, and I never said she did,
She said she wanted matches, and she just took off the lid
She said that she was sorry, but it's difficult to catch
An excited sort of beetle you've mistaken for a match.

She said that she was sorry, and I really mustn't mind
As there's lots and lots of beetles which she's certain we could find
If we looked about the garden for the holes where beetles hid-
And we'd get another matchbox, and write BEETLE on the lid.

We went to all the places which a beetle might be near,
And we made the sort of noises which a beetle likes to hear,
And I saw a kind of something, and I gave a sort of shout:
"A beetle-house and Alexander Beetle coming out!"

It was Alexander Beetle I'm as certain as can be
And he had a sort of look as if he thought it might be ME,
And he had a kind of look as if he thought he ought to say:
"I'm very, very sorry that I tried to run away."

And Nanny's very sorry too, for you-know-what-she-did,
And she's writing ALEXANDER very blackly on the lid,
So Nan and me are friends, because it's difficult to catch
An excited Alexander you've mistaken for a match.

AA Milne

illustration friday (giant)

This week's IF topic is "giant," so I present to you the Giant Toad (Bufo marinus). Ugly, ain't he? I chose the accompanying words from a Voltaire (French writer & philosopher) quote that goes: To a toad, what is beauty? A female with two pop-eyes, a wide mouth, yellow belly and spotted back. Voltaire's works and ideas influenced important people who influenced the American revolution, so it seems appropriate that I post this etegami on Independence Day.

inspired by haiku again

Yes... I know dragonflies aren't in season quite yet, at least not where I live. But I just adore their shape, their design. Don't you? I love the fact that they swoop into our yard in the late summer, early fall, and gobble up all the mosquitoes. Don't you? I love how dragonflies inspired so many of Kobayashi Issa's haiku. Don't you?