Showing posts with label australia. Show all posts
Showing posts with label australia. Show all posts

Monday, May 4, 2015

preserving a heritage with snail mail

After getting interviewed on the Postcrossing blog, I started getting messages from people all over the world who value art postcards-- and snail mail in general-- as much (or more) than I do.  Take, for example, Robert-in-Australia, retired from a career in IT and now running a soup kitchen in the slums of Manila. In our first contact, he mentioned that he has a passion for the art of traditional writing. Then he asked me "Would you like one of my letters, that captures the history of Australia, in the traditional form of writing, from the 1700s from Australia?" It sounded cool, so I said yes.

Today I found his letter in my mailbox. My first impression was that he'd recycled some previously-used paper for the envelope, as I often do. It was sealed with wax, and I opened it very carefully so I wouldn't destroy the impression in the wax. Then I realized that the writing on the paper he used for an envelope was a hand-written letter to me. It was written in what he called the Australian heritage form that was used when the convicts first arrived in Australia in 1788. These convicts would get two sheets of paper a month, but no envelope, and they had to make their own ink by boiling tree bark. Robert does all of this the same way. He went on to tell me the history of his part of the country-- Deception Bay. It was fascinating. The painted card is his delicately-rendered watercolor of Freshwater Creek, Deception Bay, where it enters the Pacific Ocean.

I'm starting to think that I don't put nearly enough time or labor into my etegami to deserve this kind of gift. But then, etegami isn't meant to be a laborious or time-consuming form of correspondence, so I guess that's okay. But how I respect the time and research and passion that some people invest in preserving our snail-mail heritages, from stamps to paper to handwriting to art. I'm feeling..... like wow.

Sunday, July 31, 2011

etegami crosses borders (australia)


It's been far too long since I updated the Etegami Crosses Borders series, but I will try to correct that with this post. The motivation behind the series is to explore how etegami can (and in my opinion, should) reflect the land and culture in which it is produced. Check out my earlier posts in this series and read about etegami artists in France and Israel.

Today I want to draw your attention to the art of Carole Marshall in Australia. You may have noticed her work posted on my mailart gallery. Carole began painting etegami soon after discovering my etegami blog. She quickly grasped the basic concepts, and it wasn't long before she had developed her own unique style and approach to etegami. I think her choices of subjects, accompanying words, and even the colors she uses, effectively reflect the land she lives in. Lately she's been painting uniquely Australian animals. I encourage you to visit Carole's entertaining blog at Origa-me Origa-me and see more of her etegami.